JENNIFER O’DEA
Height: 5′ 6”
Hair: Brown
Eyes: Grey/Green
Training:
Samuel Beckett Centre, Trinity College, Dublin
| Production | Role | Company | Director |
|---|---|---|---|
| Day One | Alison | Grand Pictures | Lisa Mulcahy |
| The Officer from France | Matilda | R.T.E. | Tony Barry |
| Jumpers | Mary Christie | G & H Film & BBC NI | Konrad Jay |
| Ballykissangel | Garda | Ballykea Productions | Paul Harrison |
| Production | Role | Company | Director |
|---|---|---|---|
| King Lear | Regan | Second Age Theatre Company | Paul Meade |
| Sick | Angela | Crude Mechanics Theatre Co. | Aoife Spillane-Hinks |
| Faith | Maeve | Civic Theatre & Gúna Nua Theatre Company | David Horan |
| Benefactors | Jane | B*Spoke Theatre Co. | Lynne Parker |
| Bleeding Poets | Margaret Stacpoole | Roomkeepers Productions | Trevor Knight |
| The Shawl | Miss A | Bewley's Cafe | Paul Meade |
| Skin Deep | Ruth | Gúna Nua Theatre Co. | David Parnell |
| Playing From the Heart | Mum | The Ark | Martin Drury |
| A Quiet Life | Helen | Abbey Theatre | Karl Wallace |
| Burn This | Anna | Gúna Nua Theatre Co. | David Parnell |
| The Way You Look Tonight | Ger | Druid Theatre Co. | Paddy Cunneen |
| Love Me?! (Car Show) | Female | Corn Exchange Theatre Co. | Lynne Parker |
| Four Storeys | Katie | Gúna Nua Theatre Co. | David Parnell |
| The Wake | Catríona | Abbey Theatre | Patrick Mason |
| The Importance of Being Earnest | Cecily | Abbey Theatre | Patrick Mason |
| The Merchant of Venice | Portia | Second Age Theatre Co | Jim Culleton |
| Licking the Marmalade Spoon | Carla | Baois Theatre Co | David Parnell |
| The Picture of Dorian Grey | Sibyl Vane | Gate Theatre | Alan Stanford |
| Sharon's Grave | Chorus | Gate Theatre | Ben Barnes |